“Rant” does not accurately portray Payton’s recent blog posts on his website found here: http://nicholaspayton.wordpress.com/. Anyways, I guess this site is somewhat of a “old ways meet the new” type thing. The first thing I noticed when I took some time to dig in was that they play with a double time feel, so it sounds like the chord changes go by at half speed. Daahoud is a tough tune to solo over as well. Many of these transcriptions are ones that I've done for myself as part of my own study; others are transcriptions that my clients have generously given me permission to publish here. In mm. From [amazon asin=B000001E4R&text=Brownie: Homage to Clifford Brown&chan=default], releas⦠âGuide Tone Movementâ is when the soloist resolves one guide tone to another. Thereâs some deep insight that I wanted to share. I transcribed this solo a f⦠This jazz trumpet solo is so good itâs debatable whether or not Clifford Brown didnât plan ⦠Post was not sent - check your email addresses! I don’t think he would disagree that he’s very passionate about the subject, and has had to account for his words amongst many of his colleagues. I'm actively adding more transcriptions from my archive of literally thousands of songs; if you don't see what you're looking for, chances are I already have it but haven't posted it here yet. Nicholas Payton uses a lot of skips with fourth patterns that sound like he is taking his trumpet solo outside. This site is simply an extension of that. Listen to Whoopin' Blues by Nicholas Payton, 891 Shazams, featuring on Nicholas Payton Essentials, and Nicholas Payton: Next Steps Apple Music playlists. Soloists often use Guide Tones as target notes or launch points.They’re all over on the strong beats in Payton’s solo. And after hearing Nicholas’ playing on this track I knew I had to one day transcribe it. Nicholas Payton, Roy Hargrove, and Wynton Marsalisâ solos on âThe Three Trumpeteersâ off of Paytonâs 1998 album Paytonâs Place". Super cool that he checked it out, we’re grateful that he’s cool with us posting his work. When the Saints Come Marching In is the 2nd song on Nicholas Payton's 2nd release with Verve Release called "Gumbo Nouveau" Such a soulful solo and has so many tasty lines in it! Nicholas Payton recently posted his thoughts about comping on the drums over on his Instagram account. Dexter also [â¦] Read the rest of this entry⦠“rant”) has caused the point of the second paragraph to become somewhat misconstrued. That means the F natural on the and of 3 is an F#. Long before Louis Armstrong came along, the trumpet and New Orleans were intertwined. Guest Post by John Raymond: Miles Davis, Walkin’ (4 Versions), Transcription Applications and Techniques. Nicholas Payton on Elvin and Comping: âHereâs the thing: The âElvin thingâ most drummers ⦠He gets close a couple of times, develops for about 6 bars, and then finally does resolve down the the A, the 5th of the one chord. My transcription of Nicholas Payton's gorgeous solo on "You Stepped Out Of A Dream" from his 1995 album "From This Moment". Dean Town Bass Transcription⦠This month I have for you the Dean Town Bass Transcription.This is an interpretation of Joe Dartâs bass line for the much-loved single. Download the Transcription: Bb, Eb, C, Bass Clef. (photo credit: Claus Willemer) Joy Spring, written by Clifford Brown and performed by Tom Harrell. Blue Bossa is a really fun jazz standard to improvise over.  Amongst all of the recent gigs Nicholas is playing, he’s also been active on both Twitter and Facebook. Payton has gotten quite a bit of hate from friends, colleagues, and followers for his recent rants on jazz, some of them calling him the Charlie Sheen of Jazz. GT are often used as foundation, or jumping off points for the soloist to go in to more uncharted territory. Dexter also uses a lot of pentatonic licks and keeps the solo ⦠It reminds me of what we used to call the âSummervilleâ sound back in Boston in the late 80s and early 90s. The groove is what first got me. This jazz trumpet solo transcription by Clifford Brown is absolutely great. Guide tones are thirds and sevenths in every chord. Will I ever be able to play you? Gimme! Nicholas Payton - A Touch Of Silver trumpet solo, from Payton's Place (1998) - Bb Instruments; Nicholas Payton - Sun Goddess trumpet solo, from Nick@Night (2000) - Bb Instruments; Nicholas Payton - You Stepped Out Of A Dream trumpet solo, from From This Moment (1994) - C Instruments His dominant chords are almost always altered to hell. It just feels so good! Grammy Award-winning Nicholas Payton is a multi-instrumentalist, vocalist, composer, producer, arranger, essayist, and social ⦠If not, I'll be happy to transcribe it for you. This is a nice Dexter Gordon tenor sax transcription over Blue Bossa by Kenny Dorham. I have always looked up to Payton, since getting in to this music. Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Nicholas Payton âCreating Cultureâ By Marquis Hill with Phillip Lutz Trumpeter Marquis Hill interviews one of his key influences: Payton. For local jazz legend Nicholas Payton, the instrument represents the essence of the Crescent City. This is a nice Dexter Gordon tenor sax transcription over Blue Bossa by Kenny Dorham. Super cool that he checked it out, weâre grateful that heâs cool with us posting his work. Minor changes going into a nice ii V7 I. Second, it seems as though my poor choice of words (i.e. Nicholas Payton on Elvin and Comping: â12th Street Ragâ was a famous Tin Pan Alley hit well before 1920. Email This BlogThis! You also need to have JavaScript enabled in your browser. He says jazz, as we know it, is dead. There are a lot of ii V7 I licks to grab from this transcription that sound so natural. There are a couple of sequencial moments that are worth noting, both in mm 11 and 12, and mm 15-18. All that being said, I am, and many others are still trying to understand (some have just written it off) what Nicholas is saying about this music we all love and have spent our whole lives studying. Trumpet giant Louis Armstrong recorded his tongue-in-cheek slow version in 1927. Needless to say, I hope you enjoy studying the solo as much as I enjoyed learning it myself. In the analysis I marked the first Bb and drew a line to show where it finally resolves. I got this disc when I was a freshman in college. Still, we come from the same lineage, Nicholas and I. We’ve studied the same players, and sometimes, play the same music, whatever you’d like to call it, or not call it. Nicholas Payton - The Backwards Step - trumpet Listen Nick Bisesi Groove Project - Uptown Strut - tenor (Goin' Home) Should be B natural then C on the and of 3 and on beat 3. One of my favorite moments is the last 8 bars or so of this solo. For instance, if the soloist plays Ab-F# over a G7 and resolves to G over the CMA7, that is CAT. There are a lot of ii V7 I licks to grab from this transcription that sound so natural. Link FNMUSICWEB's own Trumpeter Farnell Newton on a weekly series of performing transcriptions live! This Jazz trumpet solo of Nicholas Payton starts off nicely on the head with just guitar and trumpet. [amazon asin=B00123KEOQ&template=iframe image] Download the transcription: Concert, Bb, Eb, Bass Clef [audio: High Clip] Ahh, BeBop. Share to Twitter Share to Facebook Share to Pinterest. This was one of my favorite albums in my middle and high-school years, and this track was a special treat; to hear three of my trumpet idles play back to back was inspiring. GTM = Guide Tone Movement Song's chords E, C, Am, Dm, G, A, ... You are notifying to Yalp's team this transcription has a lot of wrong chords. We'll review to fix it. Thereâs some deep insight that I wanted to share. He brings several motives back during his solo, pulled from the beginning. Download the latest version, Nicholas Payton, You Stepped Out of a Dream, Elena Pinderhughes’ Solo on Letter to the Free – From Common Tiny Desk at the White House, Guest Post by Spencer Ritchie: Lewis Nash, Monk’s Dream, Guest Post By Ben DeVries: Roy Hargrove, I’m not so sure, Guest Post by Italo Sales: Wes Montgomery, Four on Six, Joshua Redman, Straight, No Chaser (pt 1). If you see anything that needs to be fixed, please let me know. Payton’s solo fits so gently in to the groove, he’s simply an extension of the rhythm section. We appreciate your help. When The Saints Go Marching In chords by Nicholas Payton. Drummer George Coleman Jr. also chimed in with some great info. Blue Bossa is a really fun jazz standard to improvise over. FNMUSICWEB's own Trumpeter Farnell Newton on a weekly series of performing transcriptions live! When the Saints Come Marching In is the 2nd song on That is probably why I like this Nicholas Payton trumpet solo. Nicholas Payton - The Backward Step Lead Sheet From Into The Blue (2008) The Backward Step Lead Sheet Bb Lead Sheet. I mark guide tones only when they are played on big beats, one and three. ANT = Anticipation CAT = Chromatic Approach Tone My wife (girlfriend at the time) got it for me, and the first track that stuck out was this one. Posted by Alex at 12:38 AM. He plays a couple of Bbs, making you think he’ll resolve to the A. Sorry, your blog cannot share posts by email. When the soloist plays notes outside of a chord in anticipation of the next chord. An example of a Chromatic Approach Tone is when the soloist surrounds the resolution note with half steps. Press Nicholas Payton Biography â 2020 Nicholas Payton Press Photo 1 Nicholas Payton Press Photo 2 Nicholas Payton Press Photo 3 Nicholas Payton Press Photo 4. A Grammy Award winner, he is from New Orleans, Louisiana. The music he makes is always inspiring to me, and I’ll take in to consideration what he has to say about the state of jazz since, you know…he is the state of jazz. Gimme! GT = Guide Tone Espresso Jazz Diy » Walkinâ Miles wayâ¦. Download the latest version here. Download the Transcription: Bb, Eb, C, Bass Clef. A couple of flubs in there, but I'll let them stand - the fingering on this one can be a bit tricky. Nick does such a wonderful job of picking an idea and developing it. He manipulates the time and feel as good as anyone, and knows just when to utilize the soulful side to his playing. Transcribing, and learning tunes and solos by ear has been how this art was learned since the beginning. There are a lot of ii V7 I licks to grab from this transcription that sound so natural. Drummer George Coleman Jr. also chimed in with some great info. 1-4 he repeats the rhythm while stepping down chromatically each repetition. Alterations Just posted an updated version of the PDF to correct a mistake in the transcription (had two notes reversed in mm 25, 27 and 193, 195). A7 chord, that is real open in the same measure his tongue-in-cheek slow version 1927! Many great figures for analysis in this solo plays notes outside of a Chromatic Approach is! To hell cool with us posting his work and clouds the message with poor.... Me, and Eb parts in PDF available above during his solo, from... Late 80s and early 90s launch points.They ’ re grateful that heâs cool with us posting his work,,! Old ways meet the New ” type thing to be fixed, please contact me almost altered... Of 3 and on beat 3 his tongue-in-cheek slow version in 1927 so! Stepping down chromatically each repetition to share transcribed but do n't see here, please me!  C,  C,  C,  Eb,  Eb,  Bass Clef and. Lot of ii V7 I in Boston in the drums over on his website found here: http //nicholaspayton.wordpress.com/. 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