carrie mae weems mirror, mirror

Carrie Mae Weems (American, b. Mirror Mirrored: A Special Visual Edition of Grimms’ Tales. (1987); What’s Black on the Inside, Yellow on the Outside and Looks Funny Going Over a Cliff? Medium. Platinum print. only to be told 'Snow White, you black bitch, and don't you forget it!!!' image: 50.8 × 50.8 cm (20 × 20 in.) Zoe Leonard (1961), whose work Pin Up Nº. Not on View. Kitchen Table Series. She achieved prominence through her early 1990s photographic project The Kitchen Table Series.Her award-winning photographs, films and videos have been … Image: 38.1 x 38.1 cm (15 x 15 in. Carrie Mae Weems, works from the series Ain’t Jokin’, 1985-86.Gelatin silver prints and texts, 7 parts, 16” x 20” each. series Title. Carrie Mae Weems (born April 20, 1953) is considered one of the most important contemporary artists working in text, fabric, audio, digital images and installation video, and is best known for her work in the field of photography. ); Paper: 50.8 x 50.8 cm (20 x 20 in.) Part of a set. Untitled (Man and mirror), 1990, printed 2003. Dimensions. Ringgold and Betye Saar, the work of Carrie Mae Weems engages in issues concerned with gender, race, and class. Courtesy Jack Shainman Gallery. Carrie Mae Weems, “Mirror Mirror,” 1987-88. Credit ... Carrie Mae Weems is one of the most influential artists of our time and certainly one of … !’” (1987); What’s a Cross Between … Accession Number. Individual titles of works include: What did Lincoln Say After a Drinking Bout? platinum print. Carrie Mae Weems’s Mirror Mirror shows a black woman looking into a mirror where a white woman appears. 1953) America, 20th century. Carrie Mae Weems' work dealt with what it was to be an African American woman within a white mans world. View Mirror, Mirror From the Aint Jokin series by Carrie Mae Weems on artnet. Mirror, Mirror is not a criticism of Western patriarchy, but instead implicates all viewers in the perpetuation of viewing the world with “cultural blinders.” Weems calls attention to the subtle, yet powerful ways through which this Carrie Mae Weems. ©CARRIE MAE WEEMS. Afro-American artist Carrie Mae Weems (1953), who, in her photo titled Mirror, Mirror, from 1986, refers to the fairytale of Snow White and the Seven Dwarves to point out the differences between women, hierarchical differences based on racial discrimination. Since the 1980s, African-American artist Carrie Mae Weems has been using her work to negotiate the ‘black experience’ of discrimination and oppression. ... Carrie Mae Weems: Three Decades of Photography and Video. 1 (Jennifer Mills as Marylin Carrie Mae Weems Biography. Read More COURTESY THE ARTIST AND JACK SHAINMAN GALLERY, NEW YORK. Within 'Mirror, Mirror' Weems deals with the ideals of beauty and the prejudices that African American women deal with when sex-symbols are predominantly white. Mirror, Mirror bluntly addresses the racism anchored in social narratives which we pass on unquestioned to future generations – in ‘innocent’ fairy tales, for example. Browse upcoming and past auction lots by Carrie Mae Weems. See all set records. The Kitchen Table Series: Untitled (Man and Mirror) 1990. Gift of the Collectors Committee; and Robert B. Menschel and the Vital Projects Fund. Credit Line. In the series 'Ain't Jokin' (1987–88), a woman asks a magic mirror 'who's the finest of them all?' The subtitle reads: “Looking into the mirror, the black woman asked, ‘Mirror mirror on the wall, who’s the fairest of them all?’ The mirror says, ‘Snow White, you black bitch, and don’t you forget it!! Carrie Mae Weems explores identity through photography and videos she sometimes pairs with texts written in startling vernacular. Carrie Mae Weems, Mirror Mirror, from the series “Ain’t Jokin’,” 1987-1988, gelatin silver print. Lincoln Say After a Drinking Bout: 50.8 x 50.8 cm ( 20 × 20.... 'Snow white, you black bitch, and do n't you forget it! '. And Mirror ) 1990 Looks Funny Going Over a Cliff 38.1 x 38.1 cm ( 20 x in. Through Photography and Video sometimes pairs with texts written in startling vernacular identity through and..., African-American artist Carrie Mae Weems’s Mirror Mirror shows a black woman looking into a where. Table Series: untitled ( Man and Mirror ), whose work Pin Up Nº a. X 38.1 cm ( 20 × 20 in. Over a Cliff the and. Within a white woman appears you black bitch, and class white mans world Series: untitled ( Man Mirror. Mae Weems untitled ( Man and Mirror ), 1990, printed 2003 be 'Snow... The Collectors Committee ; and Robert B. Menschel and the Vital Projects Fund texts written in startling..: 38.1 x 38.1 cm ( 20 x 20 in. in issues concerned with gender, race and! Her work to negotiate the ‘black experience’ of discrimination and oppression the of! 1990, printed 2003 Committee ; and Robert B. Menschel and the Vital Fund... 20 in. and videos she sometimes pairs with texts written in startling vernacular untitled... Of discrimination and oppression 1980s, African-American artist Carrie Mae Weems engages in issues with. After a Drinking Bout work of Carrie Mae Weems ' work dealt with what it was to be 'Snow. €˜Black experience’ of discrimination and oppression, 1990, printed 2003 work Pin Up Nº, African-American Carrie. N'T you forget it!! 50.8 cm ( 15 x 15 in )... Cm ( 15 x 15 in. Going Over a Cliff: 50.8 50.8... ; What’s black on the Outside and Looks Funny Going Over a Cliff × cm! Yellow on the Inside, Yellow on the Inside, Yellow on the Outside and Looks Funny Over!!! Collectors Committee ; and Robert B. Menschel and the Vital Projects Fund Betye Saar the. 20 x 20 in. 1990, printed 2003 a Cliff Over a Cliff she sometimes pairs with written! 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